Table of contents
Wide Network of Curators
SubmitHub provides access to a large network of music bloggers, playlist curators, and influencers, allowing artists to submit their music to various platforms with ease.
Feedback System
Artists receive direct feedback from curators, which can be valuable for understanding how their music is perceived and areas of improvement.
Cost-Effectiveness
Compared to traditional PR services, SubmitHub offers a more affordable way for artists to pitch their music to curators and influencers.
User-Friendly Interface
The platform is designed to be easy to use, allowing artists to submit their music quickly and efficiently with a straightforward process.
Quick Responses
SubmitHub is known for its fast response time, typically within 48 hours, which helps artists gauge interest and plan their strategies.
We have collected here some useful links to help you find out if SubmitHub is good.
Check the traffic stats of SubmitHub on SimilarWeb. The key metrics to look for are: monthly visits, average visit duration, pages per visit, and traffic by country. Moreoever, check the traffic sources. For example "Direct" traffic is a good sign.
Check the "Domain Rating" of SubmitHub on Ahrefs. The domain rating is a measure of the strength of a website's backlink profile on a scale from 0 to 100. It shows the strength of SubmitHub's backlink profile compared to the other websites. In most cases a domain rating of 60+ is considered good and 70+ is considered very good.
Check the "Domain Authority" of SubmitHub on MOZ. A website's domain authority (DA) is a search engine ranking score that predicts how well a website will rank on search engine result pages (SERPs). It is based on a 100-point logarithmic scale, with higher scores corresponding to a greater likelihood of ranking. This is another useful metric to check if a website is good.
The latest comments about SubmitHub on Reddit. This can help you find out how popualr the product is and what people think about it.
With my band we are aiming for a monthly release and full on promotion during that month, then slowly plug it for another few weeks in the shadow of the latest single. Not yet got grips to tik-tok but will be spending weekend figuring somethings out on that front but for now its FB, Reddit, submithub.com and YouTube shorts. Source: over 2 years ago
All good info. I will say the only promotional service I've found worth a shit is submithub.com. Makes getting in contact with curators and promoting through playlists a million times easier. Source: over 2 years ago
I spent around 120 US dollars last year on submithub.com, slogging through the endless dreaded "decline" messages for ultimately three proper shares, out of like...lots. My music isn't that great or anything, solid average. It's inoffensive, not bad, but it's not going to grab you and make you think, "OMG this is amazing." Ultimately I had a very, very difficult time finding placement on that website. Source: over 2 years ago
I use submithub.com with pretty good success for this. Source: over 2 years ago
First service I tested was submithub.com. You can buy credits and then submit your song to playlist curators. Cost is between $1-3 per curator. You choose the curators yourself. I bought 50 Creds = around $50 and submit to 19 curators. I got 2 positive responses and was added to two playlists. One was very good, generated around 400 plays and the others generated 80 plays. Source: almost 3 years ago
You can use submithub.com for free...dont pay. Source: almost 3 years ago
We should all be suspicious when their own FAQ has the question, "Is SubmitHub payola...?" (You can't direct-link to this question, to get there go to submithub.com, click "FAQ", then How does this work, then Submitting, and look at the bottom question.) Do you accept their answer? Doesn't it seem kind of like their scraping by on a technicality? Source: over 3 years ago
As soon as a song is released though, I cancel all my requests for further feedback. I don't like when someone tells me my song sucks and is overcompressed after it's out there. But other than that, it's a fantastic service to use to get FREE and real feedback on the stuff you're working on. I'd suggest it to anybody, as long as you can deal with the inevitable griefers who just want to tell you that you suck. ... Source: over 3 years ago
[SubmitHub](submithub.com) is my personal favorite and one I consistently use. There are both free and paid options (though again, most larger curators only take paid submissions), but they are reasonably priced imo. You essentially pay for credits that can be used to pitch your track to curators of your choice, with loads of statistics at your disposal to aid your decisions. No submission will cost any more than... Source: over 3 years ago
Submissions on submithub.com saw your message :). Source: about 4 years ago
SubmitHub is a prominent player within the realm of music promotion and discovery platforms, competing alongside entities such as SoundCampaign, Groover, and Playlist Push. The platform positions itself as a streamlined approach for artists seeking to promote their tracks via playlist placements, appealing to both emerging musicians and established artists aiming to enhance their visibility in the digital music scene.
A recurring theme across various accounts is the platform's accessibility. Users appreciate the affordability of the service, with submission costs ranging from $1 to $3 per curator. This pricing model is seen as reasonable by many and is a distinct advantage when compared to more expensive alternatives like SoundCampaign, which has submissions starting at $9. This cost-effective approach is particularly appreciated by artists working with smaller budgets, allowing more frequent interactions with curators without incurring prohibitive expenses.
One of the core features that has garnered positive feedback is the element of direct submission to individual curators. This ability enables users to tailor their promotional efforts by selecting curators who best align with their musical style and direction. However, some mention the competitive nature within the platform; SubmitHub's extensive artist base is far greater than its pool of curators, leading to lower approval rates and a plethora of "decline" messages, a reality for some musicians.
User opinions are markedly split on the level of success achievable through SubmitHub. Several testimonials reflect successful engagements with curators, resulting in playlist placements and notable stream increases, thereby validating its efficacy for certain users. Conversely, others describe challenges in gaining traction, citing frequent rejections even when submissions were paired with what they considered solid but unspectacular music.
The platform’s requirement for mandatory feedback, whether submissions are accepted or not, receives mixed reactions. While some find curator feedback constructive and a valuable learning tool, others perceive it as hit-or-miss, occasionally lacking in usefulness or appearing harsh without providing actionable insights. SubmitHub's dual-option feature allowing free feedback sessions among users further enriches this feedback dynamic.
Further discussions concern the legitimacy of certain features, notably the 'Hot or Not' section, stirring debates about authenticity and ethical standards, compounded by the familiar industry apprehension surrounding the notion of "payola."
In conclusion, SubmitHub stands as a cornerstone for artists eager to leverage digital channels for music promotion, particularly those with financial constraints. While it provides key features conducive to personalized and strategic promotion efforts, individual experiences on the platform reflect varied outcomes. Overall, it appears that while some artists rave about their success stories, others caution about the competitive landscape and the subjective nature of curator feedback.
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