GitLab Reviews

1. Reinhard

   · Boss at CLOUD Meister · over 5 years ago
   perfect for Freelancers!

Overtone Reviews

GitLab mentions (144)

• Git and Unity: A Comprehensive Guide to Version Control for Game Devs

  We use GitHub here as an example, but there are also other hosts you could explore like GitLab and BitBucket. - Source: dev.to / about 2 months ago

• Proudly Found Elsewhere

  Expertise. The SaaS provider is declaring: "I am good at XYZ; I can deliver it better than any of my competitors, and I constantly work to improve how I deliver it." Who do you think can better run GitLab, your already overworked Operations team, or GitLab itself? - Source: dev.to / 3 months ago

• What Is Static Code Analysis and How Does It Work

  Integration Capabilities: How easily does it plug into your daily workflow? Look for deep integrations with your IDE, source control (like GitHub or GitLab), and especially your CI/CD pipeline. - Source: dev.to / 4 months ago

• Navigating the NVIDIA Tech Ecosystem

  Connect your GitLab account for seamless version control. - Source: dev.to / 6 months ago

• Web Check CI: Catch Browser Compatibility Issues Before They Break Production

  Web Check CI stands out because it is the first CI/CD module of its kind available for GitLab! It's built on Google's Baseline initiative, the new standard for web platform compatibility. Instead of guessing which features are safe to use, developers get authoritative answers based on real browser support data. - Source: dev.to / 9 months ago

Overtone mentions (8)

• Strudel REPL – a music live coding environment living in the browser

  When I last played with SuperCollider I used Overtone, that wraps everything in a Closure API. With that you use s-expressions instead of sclang to define your sounds. I am not sure what the state of Overtone is these days, but there seems to still be some activity: https://overtone.github.io/. - Source: Hacker News / 9 months ago

• Synth wars: The story of MIDI (2023)

  > Midi being an “artist” tool places it more as a medium like paint. I’ve used MIDI “as paint”. Written music using code to MIDI(1), and wrote “cross instrument” music, ie using my keyboard as drum machine. But these days MIDI is chiefly an archival method for me. Every time I touch my keyboard is recorded, is much smaller than a comparable audio recording, by design “forced fidelity” in the recording, and I am... - Source: Hacker News / about 2 years ago

• Music Programming for Java and JVM Languages

  You might want to look at Overtone, which is a clojure environment built on top of overtone, and which integrates with processing and a few other similar things. https://overtone.github.io/. - Source: Hacker News / over 3 years ago

• Sonic Pi – The Live Coding Music Synth for Everyone

  > I'm fluent in Python but find the use of colons is the real sticking point. The you'd probably have hated its predecessor which was all about the parentheses: https://overtone.github.io/ It's too bad that superficial stuff like which characters you need to type is holding you back. Getting used to Ruby when you're familiar with Python is no big deal. I would just stick with it. - Source: Hacker News / over 3 years ago

• Can I create an application to help me work out my drums rudiments in emacs

  There's a project you may find interesting: https://overtone.github.io/. Besides sound/synthesis stuff, it has https://github.com/overtone/midi-clj library, which allows you to write MIDI as lisp (Clojure, to be precise) code. Emacs has great support for Clojure programming (via Cider), and REPL-based development is perfect for writing music. Source: over 3 years ago