Overtone
SuperCollider
Sonic Pi
ChucK
Klangmeister
Synthesine
Nyquist
Pure Data
ZynAddSubFX
Surge XT
Vital
Dexed
Serum
FluidSynth
Synth1
Zebralette
Overtone ZynAddSubFXBased on our record, Overtone should be more popular than ZynAddSubFX. It has been mentiond 7 times since March 2021. We are tracking product recommendations and mentions on various public social media platforms and blogs. They can help you identify which product is more popular and what people think of it.
> Midi being an “artist” tool places it more as a medium like paint. I’ve used MIDI “as paint”. Written music using code to MIDI(1), and wrote “cross instrument” music, ie using my keyboard as drum machine. But these days MIDI is chiefly an archival method for me. Every time I touch my keyboard is recorded, is much smaller than a comparable audio recording, by design “forced fidelity” in the recording, and I am... - Source: Hacker News / about 2 months ago
You might want to look at Overtone, which is a clojure environment built on top of overtone, and which integrates with processing and a few other similar things. https://overtone.github.io/. - Source: Hacker News / over 1 year ago
> I'm fluent in Python but find the use of colons is the real sticking point. The you'd probably have hated its predecessor which was all about the parentheses: https://overtone.github.io/ It's too bad that superficial stuff like which characters you need to type is holding you back. Getting used to Ruby when you're familiar with Python is no big deal. I would just stick with it. - Source: Hacker News / over 1 year ago
There's a project you may find interesting: https://overtone.github.io/. Besides sound/synthesis stuff, it has https://github.com/overtone/midi-clj library, which allows you to write MIDI as lisp (Clojure, to be precise) code. Emacs has great support for Clojure programming (via Cider), and REPL-based development is perfect for writing music. Source: over 1 year ago
Overtone, in clojure and using the SuperCollider engine. Source: about 2 years ago
I've also used ZynAddSubFX, which is also a very powerful synth, though its interface (at least to me) is a bit of a clusterfuck. You could also try browsing this index of microtonally capable synths on the xenharmonic wiki. Source: about 1 year ago
The code for this can be found here on shadertoy! The audio was made with an Ibanez bass, Guitarix, Hydrogen Drums, ZynaddSubFX and Ardour! Source: over 2 years ago
Here is an additive synth - https://zynaddsubfx.sourceforge.io/. Source: over 2 years ago
There are VSTs for Linux. Surge, Vital, and ZynAddSubFx are three prominent examples, as well as OxeFM, Dexed, and plenty I'm forgetting. Surge and Zyn also come LV2 and DSSI, which are native Linux formats. For those who don't know, the VST3 SDK supports Linux, and is released under GPLv3 by Steinberg. Source: almost 3 years ago
SuperCollider - A real time audio synthesis engine, and an object-oriented programming language specialised for...
Surge XT - Open-source subtractive-hybrid synthesizer formerly sold commercially as Vember Audio Surge.
Sonic Pi - Sonic Pi is a new kind of instrument for a new generation of musicians. It is simple to learn, powerful enough for live performances and free to download.
Vital - Vital is a spectral warping wavetable synthesizer with drag'n'drop modulation workflow and animated preview of the synth's inner workings where needed. Comes with many modulation sources (including audio-rate), MPE support and FX chain.
ChucK - A strongly-timed music programming language
Dexed - Dexed is a multi-platform, multi-format plugin synth that is closely modeled on the Yamaha DX7.