Software Alternatives, Accelerators & Startups

Overtone VS SuperCollider

Compare Overtone VS SuperCollider and see what are their differences

Overtone logo Overtone

Overtone is an open source audio environment designed to explore new musical ideas from synthesis...

SuperCollider logo SuperCollider

A real time audio synthesis engine, and an object-oriented programming language specialised for...
  • Overtone Landing page
    Landing page //
    2018-12-28
  • SuperCollider Landing page
    Landing page //
    2022-04-25

Overtone features and specs

  • Functional Programming
    Overtone leverages the power of Clojure, a functional programming language, which encourages a different way of thinking about music composition and sound synthesis.
  • Extensibility
    Being built on top of SuperCollider, Overtone offers high extensibility, allowing users to create custom instruments, effects, and interfaces.
  • Code as Music
    Overtone allows musicians to express themselves through code, making it an excellent choice for those interested in algorithmic composition and live coding.
  • Active Community
    The Overtone community is active and supportive, providing a wealth of resources, tutorials, and extensions to help new users get started.

Possible disadvantages of Overtone

  • Steep Learning Curve
    New users, especially those unfamiliar with Clojure or functional programming, might find the learning curve steep when getting started with Overtone.
  • Limited Documentation
    Though the community is active, official documentation can sometimes be sparse or outdated, requiring users to rely on community forums and external resources.
  • Performance Constraints
    As it runs on the JVM through Clojure, performance might not match that of natively-compiled audio tools, potentially affecting latency-sensitive applications.
  • Dependency on SuperCollider
    Overtone relies on the SuperCollider server for audio synthesis, which means installation and troubleshooting can be more complex due to additional dependencies.

SuperCollider features and specs

  • Powerful Synthesis Engine
    SuperCollider offers a powerful real-time audio synthesis engine that allows users to create complex and nuanced sounds, making it ideal for experimental music and sound design.
  • Extensive Library of Ugens
    SuperCollider comes with a comprehensive library of unit generators (UGens), which are ready-made building blocks for audio and control signal processing.
  • Flexibility
    SuperCollider supports a wide range of methods for sound generation and manipulation, from simple waveform synthesis to algorithmic composition and live coding.
  • Cross-Platform
    SuperCollider is cross-platform and runs on macOS, Windows, and Linux, making it accessible to a wide range of users.
  • Open Source
    Being open-source, SuperCollider is free to use and has an active community that contributes to its development, ensuring it continually evolves and improves.
  • Live Coding
    SuperCollider supports live coding, allowing users to write and modify code in real-time during performances, which is highly valued in the experimental and electronic music communities.
  • Integrated Development Environment (IDE)
    SuperCollider includes its own IDE, which provides features like syntax highlighting, code completion, and documentation tools, making it more accessible to users.

Possible disadvantages of SuperCollider

  • Steep Learning Curve
    SuperCollider has a steep learning curve, particularly for those who are new to programming or digital signal processing, which can be initially discouraging.
  • Sparse Documentation
    While there is documentation available, some users find it sparse or difficult to understand compared to other music programming environments, making it harder to learn.
  • Complex Syntax
    The syntax of SuperCollider can be complex and less intuitive for beginners, which can result in a slower learning process for new users.
  • Performance Overheads
    Real-time performance might suffer on less powerful hardware due to the computational demands of complex synthesis and processing tasks.
  • Fragmented Community Resources
    Although there is a community around SuperCollider, resources such as tutorials and forums can be fragmented and vary in quality, which can make finding reliable help challenging.
  • Limited GUI Capabilities
    SuperCollider's native GUI capabilities are limited and less polished compared to more specialized software for graphical user interfaces.

Analysis of SuperCollider

Overall verdict

  • Yes, SuperCollider is considered a very good tool, especially for those interested in experimental music and sound art. It is widely used by musicians, composers, and researchers within the digital audio community, largely due to its expansive feature set and supportive community.

Why this product is good

  • SuperCollider is highly regarded for its capabilities in sound synthesis and algorithmic composition. It offers a powerful and flexible environment for sound design, live coding, and generative music. The platform is open-source, which allows users to contribute and extend its functionalities. Its programming language is specifically designed for music and audio, providing a rich and versatile set of tools for creating complex auditory experiences.

Recommended for

  • Musicians looking to create experimental or generative music
  • Sound designers interested in creating complex audio environments
  • Composers specializing in algorithmic composition
  • Researchers focusing on audio synthesis and digital signal processing
  • Artists looking for an open-source platform for live coding and sound art

Overtone videos

I'm in the oVertone Ads, Do I Actually Approve of This Product?

More videos:

  • Review - oVertone Coloring Conditioner Review: This did NOT Go How I Expected
  • Review - Does OVERTONE Work on Dark Hair?!

SuperCollider videos

Making Music with SuperCollider

Category Popularity

0-100% (relative to Overtone and SuperCollider)
3D
21 21%
79% 79
Music Generation
23 23%
77% 77
Music Tools
26 26%
74% 74
Email Marketing
100 100%
0% 0

User comments

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Social recommendations and mentions

Based on our record, SuperCollider should be more popular than Overtone. It has been mentiond 33 times since March 2021. We are tracking product recommendations and mentions on various public social media platforms and blogs. They can help you identify which product is more popular and what people think of it.

Overtone mentions (7)

  • Synth wars: The story of MIDI (2023)
    > Midi being an “artist” tool places it more as a medium like paint. I’ve used MIDI “as paint”. Written music using code to MIDI(1), and wrote “cross instrument” music, ie using my keyboard as drum machine. But these days MIDI is chiefly an archival method for me. Every time I touch my keyboard is recorded, is much smaller than a comparable audio recording, by design “forced fidelity” in the recording, and I am... - Source: Hacker News / about 1 year ago
  • Music Programming for Java and JVM Languages
    You might want to look at Overtone, which is a clojure environment built on top of overtone, and which integrates with processing and a few other similar things. https://overtone.github.io/. - Source: Hacker News / over 2 years ago
  • Sonic Pi – The Live Coding Music Synth for Everyone
    > I'm fluent in Python but find the use of colons is the real sticking point. The you'd probably have hated its predecessor which was all about the parentheses: https://overtone.github.io/ It's too bad that superficial stuff like which characters you need to type is holding you back. Getting used to Ruby when you're familiar with Python is no big deal. I would just stick with it. - Source: Hacker News / over 2 years ago
  • Can I create an application to help me work out my drums rudiments in emacs
    There's a project you may find interesting: https://overtone.github.io/. Besides sound/synthesis stuff, it has https://github.com/overtone/midi-clj library, which allows you to write MIDI as lisp (Clojure, to be precise) code. Emacs has great support for Clojure programming (via Cider), and REPL-based development is perfect for writing music. Source: over 2 years ago
  • Racket for Computer Music?
    Overtone, in clojure and using the SuperCollider engine. Source: almost 3 years ago
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SuperCollider mentions (33)

  • Describing musical domain with F#
    At this point, we can produce the array of pitches that are midi notes. To create sound from these notes I've used a specialized programming language called SuperCollider. I won't dive much into details here, but you may have a look at the code if you're interested. Beware, there are quite a lot of branches there and all of them contain some interesting code. - Source: dev.to / 10 months ago
  • Ask HN: Create audio software akin to physics engines?
    This is essentially sound design from first principles. There's a good book here: https://www.amazon.com/Designing-Sound-Press-Andy-Farnell/dp/0262014416 Note that the software used (Pure Data) can be replaced by another high-level language (SuperCollider: https://supercollider.github.io/) pretty easily. I know of no "tool" to do what you want because there are few things that are universal to different kinds of... - Source: Hacker News / 12 months ago
  • Harnessing Screams with Tidal Looper
    Since then, I've been working more and more with TidalCycles. TidalCycles is an open-source live coding framework for creating patterns written in Haskell. TidalCycles uses SuperCollider on the backend, another language I've been using for live coding. Recently, I started using Tidal Looper for live vocal processing. This blog post will walk you through what you need to get started with vocal looping with Tidal... - Source: dev.to / about 1 year ago
  • Csound
    Csound is... "interesting". If you want to play with something more modern, have a look at https://supercollider.github.io/ instead. - Source: Hacker News / almost 2 years ago
  • MuseScore 4.1 is now available
    For the intrepid, especially those annoyed with the purported input-sluggishness of musescore et al, an interesting text-based alternative is LilyPond https://lilypond.org/ My dad wrote an opera using LilyPond in vim, though I believe these days he's actually doing more with supercollider, which skips sheetmusic and goes right to sounds: https://supercollider.github.io/. - Source: Hacker News / almost 2 years ago
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What are some alternatives?

When comparing Overtone and SuperCollider, you can also consider the following products

Sonic Pi - Sonic Pi is a new kind of instrument for a new generation of musicians. It is simple to learn, powerful enough for live performances and free to download.

Pure Data - Pd (aka Pure Data) is a real-time graphical programming environment for audio, video, and graphical...

Klangmeister - Klangmeister is an open-source, live coding environment for composing music in your browser.

ChucK - A strongly-timed music programming language

VCV Rack - A cross-platform modular synthesizer.

Nyquist - Sound synthesis and composition language with integrated IDE