Zebralette VS SuperCollider

My U-HE synths.. For a long time have I wondered what the big 'fuss' was all about, I've read & seen so many people talking highly about these. And then NI had a nice Holiday season sale. So now I too have Diva, Hive (and a bit more) then also grabbed Bazille shortly after. Yah, here's the next person sharing his admiration for U-HE :-). Source: 10 months ago

If you need sampled sounds of acoustic instruments Kontakt is the industry standard. Particularly to create soundtracks the likes of Berlin strings, Cinestrings, Cineperc, etc etc all run in Kontakt. V-Collection shines in modelling synth hardware. The advantage is that you can modify the parameters live and they are not (although they may be sometimes) effects applied directly onto sampled sounds. This collection... Source: over 1 year ago

This is true. I use Bitwig Studio which is native for Linux and has a bunch of great stuff built in. A couple of companies I've found that have great native Linux VST plugins are Audio Assault, these are also a very reasonable price, and u-he. Not to mention you can use SFZ instruments with Carla from KX Studio. But I've found that I prefer the raw samples and using Bitwig's own multisample file format. Linux... Source: over 2 years ago

The U-he https://u-he.com/ guy/owner Urs Heckmann is basically Han's personal engineer who collaborated with him for years. He designed the Dark Zebra for the Dark Knight and Dark Knight Rises for example. Source: over 2 years ago

Also, most of the big VST development companies release at least one product, or a entry version of their paid-for products, for free, most of the time you just need to sign up for an account with your email address. Some examples I use: Https://u-he.com/ Https://labs.spitfireaudio.com/. Source: over 2 years ago

Since then, I've been working more and more with TidalCycles. TidalCycles is an open-source live coding framework for creating patterns written in Haskell. TidalCycles uses SuperCollider on the backend, another language I've been using for live coding. Recently, I started using Tidal Looper for live vocal processing. This blog post will walk you through what you need to get started with vocal looping with Tidal... - Source: dev.to / 8 days ago

Csound is... "interesting". If you want to play with something more modern, have a look at https://supercollider.github.io/ instead. - Source: Hacker News / 9 months ago

For the intrepid, especially those annoyed with the purported input-sluggishness of musescore et al, an interesting text-based alternative is LilyPond https://lilypond.org/ My dad wrote an opera using LilyPond in vim, though I believe these days he's actually doing more with supercollider, which skips sheetmusic and goes right to sounds: https://supercollider.github.io/. - Source: Hacker News / 10 months ago

Weirdly enough,I got into programming through music. I got into making experimental electronic music and ended up learning SuperCollider. Figured I’d have to get a real job at some point and I liked learning Supercollider enough that I figured I should try to go back to school and learn some more useful programming languages. Source: 12 months ago

So you’re wondering what would making music with code look like? The tools I’m familiar with are TidalCycles, Sonic Pi, and SuperCollider. I’m having a hard time describing what it’s like to make music with tools like these so here’s a video of a performance. One person is live coding the music and the other is live coding the visuals. I think it’s super cool how the music is improvised and built over time by... Source: about 1 year ago