SoX VS SuperCollider

To get the WAV file, some of the ways are using sox and running the command sox -e signed-integer -b 16 -r 16k -c 1 out.raw out.wav, or writing a python script using the wave library. Source: 11 months ago

Also sox can be handy for just audio. You can't beat ffmpeg in general, finding the right command options and testing can take time but with any of them it's worth building up your toolkit. Source: 12 months ago

SoX is great for 99% of command-line audio work. The documentation can be tough to follow (and sometimes just missing or wrong), but once you wrap your head around the syntax and chaining effects together it is impressive what you can do. Source: over 1 year ago

To answer your question: https://sox.sourceforge.net/. Source: over 1 year ago

For no good reason, this prompted me to attempt to write a function in Bash which takes advantage of SoX to snap recorded audio to a desired length by speeding up or slowing down as needed. Source: over 1 year ago

Since then, I've been working more and more with TidalCycles. TidalCycles is an open-source live coding framework for creating patterns written in Haskell. TidalCycles uses SuperCollider on the backend, another language I've been using for live coding. Recently, I started using Tidal Looper for live vocal processing. This blog post will walk you through what you need to get started with vocal looping with Tidal... - Source: dev.to / 9 days ago

Csound is... "interesting". If you want to play with something more modern, have a look at https://supercollider.github.io/ instead. - Source: Hacker News / 9 months ago

For the intrepid, especially those annoyed with the purported input-sluggishness of musescore et al, an interesting text-based alternative is LilyPond https://lilypond.org/ My dad wrote an opera using LilyPond in vim, though I believe these days he's actually doing more with supercollider, which skips sheetmusic and goes right to sounds: https://supercollider.github.io/. - Source: Hacker News / 10 months ago

Weirdly enough,I got into programming through music. I got into making experimental electronic music and ended up learning SuperCollider. Figured I’d have to get a real job at some point and I liked learning Supercollider enough that I figured I should try to go back to school and learn some more useful programming languages. Source: 12 months ago

So you’re wondering what would making music with code look like? The tools I’m familiar with are TidalCycles, Sonic Pi, and SuperCollider. I’m having a hard time describing what it’s like to make music with tools like these so here’s a video of a performance. One person is live coding the music and the other is live coding the visuals. I think it’s super cool how the music is improvised and built over time by... Source: about 1 year ago