Overtone VS Pyo

You might want to look at Overtone, which is a clojure environment built on top of overtone, and which integrates with processing and a few other similar things. https://overtone.github.io/. - Source: Hacker News / about 1 year ago

> I'm fluent in Python but find the use of colons is the real sticking point. The you'd probably have hated its predecessor which was all about the parentheses: https://overtone.github.io/ It's too bad that superficial stuff like which characters you need to type is holding you back. Getting used to Ruby when you're familiar with Python is no big deal. I would just stick with it. - Source: Hacker News / over 1 year ago

There's a project you may find interesting: https://overtone.github.io/. Besides sound/synthesis stuff, it has https://github.com/overtone/midi-clj library, which allows you to write MIDI as lisp (Clojure, to be precise) code. Emacs has great support for Clojure programming (via Cider), and REPL-based development is perfect for writing music. Source: over 1 year ago

Overtone, in clojure and using the SuperCollider engine. Source: almost 2 years ago

Https://overtone.github.io/ (this project integrates with Processing for visualization). Source: about 2 years ago

I was reminded that there was a guy who wrote a Python wrapper for Csound a long time ago. Apparently it's been superseded by this project, pyo: http://ajaxsoundstudio.com/software/pyo/. - Source: Hacker News / 8 months ago

There is a python module called PYO. This has a wealth of tools for signal processing: filters, Delays, synthesis generators etc. (Look at it here- Http://ajaxsoundstudio.com/software/pyo/). Source: 10 months ago

I created a Python-based modular synthesiser based on Olivier Bélanger's Pyo library. It's essentially another layer on top of Pyo that makes it quicker and easier to create songs. It also makes it super easy to use with other Python libraries. Source: over 1 year ago

The sound is also synthesized with python but not included in the tutorial... I used the pyo library, which is wonderful and ha good docs, but I'm not expert enough to teach it to others. I agree the sound turned out to be really satisfying, which I did not expect. I originally created it because the animations without sound felt wrong. Source: about 2 years ago

It's rendered for binaural audio using the Pyo library. With earbuds, you should be able to tell the approximate position of each bounce (azimuth and maybe elevation) just from the sound. Source: over 2 years ago