Overtone VS PortAudio

> Midi being an “artist” tool places it more as a medium like paint. I’ve used MIDI “as paint”. Written music using code to MIDI(1), and wrote “cross instrument” music, ie using my keyboard as drum machine. But these days MIDI is chiefly an archival method for me. Every time I touch my keyboard is recorded, is much smaller than a comparable audio recording, by design “forced fidelity” in the recording, and I am... - Source: Hacker News / 16 days ago

You might want to look at Overtone, which is a clojure environment built on top of overtone, and which integrates with processing and a few other similar things. https://overtone.github.io/. - Source: Hacker News / over 1 year ago

> I'm fluent in Python but find the use of colons is the real sticking point. The you'd probably have hated its predecessor which was all about the parentheses: https://overtone.github.io/ It's too bad that superficial stuff like which characters you need to type is holding you back. Getting used to Ruby when you're familiar with Python is no big deal. I would just stick with it. - Source: Hacker News / over 1 year ago

There's a project you may find interesting: https://overtone.github.io/. Besides sound/synthesis stuff, it has https://github.com/overtone/midi-clj library, which allows you to write MIDI as lisp (Clojure, to be precise) code. Emacs has great support for Clojure programming (via Cider), and REPL-based development is perfect for writing music. Source: over 1 year ago

Overtone, in clojure and using the SuperCollider engine. Source: almost 2 years ago

FYI PyAudio built on this software: http://portaudio.com/ which interfaces directly with Alsa/OSS (refer to the sounds system page, I'm not saying Open-Source Software here) which PulseAudio also does. Source: about 3 years ago