ISADORA is a multi-award winning powerful tool for creating interactive media presentations. A product designed for artists, designers, performers or VJs, it allows you to quickly and easily harness the limitless potential of digital media in real-time. Over 250 basic building blocks can be linked in an almost infinite number of ways, allowing you to create and manage stunning visuals, sounds, and other media files.
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Based on our record, Vital seems to be a lot more popular than Isadora by TroikaTronix. While we know about 311 links to Vital, we've tracked only 5 mentions of Isadora by TroikaTronix. We are tracking product recommendations and mentions on various public social media platforms and blogs. They can help you identify which product is more popular and what people think of it.
This is a pretty broad question, but the answer is absolutely yes. The most obvious answer is Unreal Engine, and Notch also comes to mind (https://www.notch.one), but there are plenty of others. Anything that can draw in real time and accepts some kind of control data as input is a candidate. You could use something like Jitter in Ableton Live. Isadora (https://troikatronix.com) is good for a lot of this too. I’m... Source: 12 months ago
You could send the video out to something like Isadora (https://troikatronix.com/) and put a Video Delay on it, then send it back into OBSNinja. Source: over 1 year ago
I tend to use Isadora for generative media, but it can have somewhat of a learning curve. Source: over 1 year ago
Absolutely, there's a couple of options available if you want to try to replicate video mixers functionality on software based live video environments. The most notable would be something like Resolume (https://resolume.com/) which is already very popular amongst vj artists and video synthesis enthusiasts as it was designed with easy integration of midi and sound reactivity in mind. There's also a bunch of more... Source: about 2 years ago
My go-to for everything theatre is Troikatronix's Isadora, which is simple to learn for small events and scales all the way up to 16-screen complex projection mapping. It can play almost anything, forward and backward, at any speed, and from any point. https://troikatronix.com. Source: over 2 years ago
This was the first subtractive snth I got really into. It's so good! Matt Tytel also made an open source wave table synth called vital that I'm also in love with that you can find here: https://vital.audio/ git repo is here: https://github.com/mtytel/vital. - Source: Hacker News / 5 months ago
Don't forget Vital which is Matt's newer synth. It continues to be open-source as well. https://vital.audio/. - Source: Hacker News / 5 months ago
Good stuff! I started getting in to this at the start of the year. Already had an old, dusty MicroKORG and MIDI interface to use it as a controller, but recently splashed out on a bigger controller as the Korg's tiny keys were hurting me - plus, I wanted something bigger to get better at piano! A couple of free soft synths I'd recommend are Surge XT, and Vital. https://surge-synthesizer.github.io/... - Source: Hacker News / 6 months ago
Serge is great, but Vital whips the llama's ass: https://vital.audio/ There was a time when Sylenth and Serum-quality synthesizers didn't exist for free. Back then, shit like Serge and Helm were really the best you could rely on. Maybe a few free U-HE plugins or your DAW defaults. Today's producers are downright spoiled with so many excellent free options! - Source: Hacker News / 7 months ago
Download Vital Synth from https://vital.audio/ and install it. It usually goes into some VST folder. Then point Reaper (under settings/preferences plugins location) to that folder so it can find it. Source: 10 months ago
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