Start Something New by Apple VS Sketchfab for Museums

Collection of artworks made with Apple products

Browse thousands of cultural artifacts in 3D and VR

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Accessibility
Sketchfab allows museums to make their collections accessible to a global audience through digital 3D models, enabling visitors who cannot physically visit the museum to explore artifacts online.
Interactivity
The platform provides interactive 3D models, enhancing user engagement compared to static images or text descriptions. Users can view artifacts from multiple angles and zoom in for details.
Preservation
Digitizing artifacts can help in preserving the details of museum collections digitally, ensuring that even if physical items degrade, there is a high-resolution digital record.
Educational Resource
Museums can use Sketchfab models as educational tools to enrich learning experiences for students and educators, providing detailed visual aids for study.
Marketing and Promotion
Having a presence on Sketchfab can help museums market themselves to potential visitors and collaborate on projects with other institutions worldwide.

Technical Complexity
Creating detailed and high-quality 3D models can require significant technical skills and resources, potentially posing a challenge for museums with limited expertise or technology.
Cost
While Sketchfab offers free features, advanced options and functionality, such as additional analytics and higher upload limits, require a paid subscription, which could be a constraint for some museums.
Intellectual Property Concerns
Publishing 3D models online may involve intellectual property issues, especially regarding ownership and authorization of digitized artifacts, which can be legally complex.
Limited Engagement for Non-Technical Audiences
Some visitors may find navigating and interacting with 3D models less intuitive or engaging, especially if they are not comfortable with digital interfaces.
Digital Divide
While Sketchfab expands access, it still requires internet connectivity and compatible devices, potentially excluding audiences in areas with limited technological infrastructure.