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Klangmeister VS Nyquist

Compare Klangmeister VS Nyquist and see what are their differences

RealityMAX
RealityMAX is the most powerful free 3D design collaboration platform, 100% online. Cooperate remotely with your colleagues on 3D projects and easily share your work with clients. Create Web3D and AR experiences in a snap, without a line of code. featured
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Klangmeister logo Klangmeister

Klangmeister is an open-source, live coding environment for composing music in your browser.

Nyquist logo Nyquist

Sound synthesis and composition language with integrated IDE
  • Klangmeister Landing page
    Landing page //
    2019-04-19
  • Nyquist Landing page
    Landing page //
    2019-10-20

Klangmeister videos

+ Add

Ecouton LQL 160 Final Edition Klangmeister Update 6

More videos:

  • Review - siemens klangmeister rs14
  • Review - Siemens Klangmeister RG 93 MW

Nyquist videos

+ Add

Keeb.io Nyquist Review

More videos:

  • Review - The truth about Nyquist and why 192 kHz does make sense

Category Popularity

0-100% (relative to Klangmeister and Nyquist)

Klangmeister

Nyquist

Music Generation
58 58%
Music Generation
42% 42
Music Tools
58 58%
Music Tools
42% 42
3D
58 58%
3D
42% 42
Email Marketing
50 50%
Email Marketing
50% 50

User comments

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What are some alternatives?

When comparing Klangmeister and Nyquist, you can also consider the following products

Sonic Pi - Sonic Pi is a new kind of instrument for a new generation of musicians. It is simple to learn, powerful enough for live performances and free to download.

SuperCollider - A real time audio synthesis engine, and an object-oriented programming language specialised for...

ChucK - A strongly-timed music programming language

Synthesine - Live coding environment for experimenting with sound synthesis in the browser.

Wavepot - Wavepot is addictive music or beats maker platform that offers a live-coding environment for creating sound and music.

Overtone - Overtone is an open source audio environment designed to explore new musical ideas from synthesis...

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